Guanajuato, Gto., September 27, 2017.- Because of the quality of her work, Marisol Guerrero Morales, who graduated past December from Visual Arts of the Division of Architecture, Art & Design (DAAD) of Campus Guanajuato, obtained a scholarship from the National Fund for Culture and Arts (FONCA).

In an interview, the graduate of the University of Guanajuato mentioned that the scholarship is a stimulus from the federal government, who launches an annual summon with different categories with the purpose to support young artists and producers with a monthly scholarship, to develop a one-year project in different disciplines.

In her case, she participated in graphics with a project called "Cómo has cambiado. Lo que soy y lo que hicieron", which is based in recurring to the processes of the graphic "but expanded beyond, using the registry of objects as matrixes".

In this case, she revealed, they are iron objects, material with which she will work to generate her registry through the process that makes them rust, using rust as pigment to paint on paper.

The young creator considers her work will contribute a reflection to existential questions of time, and the graphic will bring alternative methods to produce registries or artistic objects with other processes, based in the experimentation since she uses recycled materials, with the idea to generate from waste.

She remembered she liked to draw as a child, and circumstances started being in her favor to concrete her degree at UG. Today, she works in the Cultural Necromancer Center in San Miguel de Allende where she is an instructor, and she loves to influence in the artistic development of others.

She informed that the work made with the FONCA scholarship, emerged from another project she developed last year with cryptography, which was the result of a field work she made in a cemetery: she salvaged nails and buried with the idea of an object's perpetuity.

Those concepts were her channels, the start points for this new project: the objects in its corrosion, the change they suffer, the transformation of the bodies and the everything, the present, the past and the present, all in an instant.

In her message for students like her, she advises them to use the facilities, the knowledge of the professors, their free time to make what they are passionate about, "do it and insist and learn from others and keep enjoying art, from their processes, from their creation."